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Lustrous freshwater pearls graduate in size along a delicate strand that descends toward a sculptural pendant composition evoking marine geological formations, wherein a deep cobalt blue enamel void—c
Jung Ki Min's Great Blue Hole Necklace presents a sculptural jewelry composition photographed against a dark charcoal background that creates dramatic tonal contrast and allows the piece to command fu
Jung Ki Min's Great Blue Hole Necklace presents a sculptural jewelry composition photographed against a pristine white ground, its organic form occupying the central picture plane in a landscape orien
Jung Ki Min's Great Blue Hole Necklace presents a sophisticated sculptural composition uniting organic marine-inspired forms with refined jewelry craftsmanship, wherein a graceful strand of lustrous f
Great Blue Hole Necklace by Jung Ki Min

Bronze Jewelry Design · 2026

Great Blue Hole Necklace

by Jung Ki Min

  • A' Design Award 2026 Bronze Winner in Jewelry Design
  • Awarded April 15, 2026
  • Estimated Number of Design Views: 8,218
  • Verification code D786F287F5 · Verify this award
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About Great Blue Hole Necklace

Great Blue Hole is a necklace inspired by the marine sinkhole of the same name in Belize. The design translates a large natural landscape into a wearable sculptural form. Layered metal components are raised on wires of varying lengths to create dimensional volume and depth. Sawing, casting, enameling, stone setting, chasing and repousse were used to build the forms and surface textures. The necklace measures 130 mm in width, 15 mm in depth and 75 mm in height, with a pearl string of 450 mm. Movement of the body shifts light across the layers.

This pendant necklace seemingly engages with contemporary art jewelry's expanded field where adornment transcends decorative function to become sculptural narrative, inviting wearers and viewers into contemplation of natural phenomena translated through precious materials and meticulous craftsmanship, a territory explored throughout the late twentieth and early twenty-first centuries as studio jewelers increasingly prioritized conceptual depth alongside technical virtuosity. The work appears to reference submarine geological formations, specifically the circular limestone sinkholes found in shallow oceanic waters where deeper cobalt blue contrasts dramatically with surrounding turquoise shallows, suggesting the designer has translated vast environmental scale into intimate wearable dimensions through strategic material choices and chromatic orchestration. The technical achievement resides in the successful integration of multiple jewelry-making disciplines: the dimensional metalwork exhibiting organic texture suggesting coral growth or limestone erosion demonstrates sophisticated forming and surface treatment, the enamel application across the blue-green-coral spectrum maintains consistent surface quality while achieving both translucent depth and opaque solidity as compositionally required, and the graduated pearl strand provides classical elegance that grounds the sculptural pendant's contemporary expression within jewelry's traditional vocabulary of luxury and refinement. The chromatic sophistication evident in the analogous blue-green progression punctuated by warm coral accent reveals understanding of color theory applied to three-dimensional form, where hue relationships must succeed not merely in flat pictorial space but across curved, relief, and recessed surfaces encountering varied light conditions, the deep cobalt center functioning as visual anchor drawing the eye inward while the radiating lighter tones create outward movement balanced by the coral element's chromatic weight. The marine geological theme invites consideration of nature's patient sculptural processes enacted over millennia, the transformation of solid matter through water's persistent action, and the particular sublime beauty of hidden underwater topographies that few humans directly witness yet which capture imagination through photography, scientific documentation, and now through jewelry that makes such remote wonders symbolically portable and personally intimate. One might observe how the piece negotiates between representation and abstraction, clearly evoking its oceanic source material while maintaining sufficient formal independence to function as pure sculptural composition, and consider how wearing such a piece positions natural wonder literally at the body's center, transforming environmental awareness into personal adornment and perhaps prompting ongoing contemplation of Earth's aquatic mysteries throughout the wearing experience.

Press Kit

Unique Properties
This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Dimensions & Packaging
Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Tags
silver, necklace, jewelry, natural
Production Technology
This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Design Challenge
The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Project Duration
The project started in August 2018 in New York, USA, and was completed in May 2019.
Operation Flow
Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Research
This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Inspiration
Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Image Credits
Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.

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