Gabriel Antunes Henke Carrano

Specialized in Pet Care Design.

Gabriel Antunes Henke Carrano

About Gabriel Antunes Henke Carrano

Graduated on Architecture and Urban Planning and a current Furniture Designer - highly developed skills in creating 3d models, mockups and rendering images. Defined as an adaptable, ambitious, self-motivated and confident individual, qualities that I combine with a limitless imagination and creativity. I can spend a day reading and living design, learning about materials (especially different types of woods), design history and support others really talented designers on social media. I can be easily found in a woodshop where I make myself useful to society!

  • Winner of the A' Design Award.
  • Specialized in Pet Care Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Pet Care
Pudu Pet House

Pudu Pet House

Pet Care Design

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Interview with Gabriel Antunes Henke Carrano

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
My first contact with design was in 2011 when I started architecture school. I made my own bedroom furniture from cardboard boxes, and that experience made me realize how important functionalism, aesthetics, and structure are in design. From there, I continued studying and improving my knowledge of furniture design by reading, prototyping, experimenting, and drawing. I didn’t always want to be a designer; I started wanting it when I needed it to live a better life.
Can you tell us more about your company / design studio?
I am an autonomous designer working from my home studio, which I call HNK—my surname without the "E's." Here, I experiment with forms, materials, and ideas that can or cannot transform into original designs. It’s a small yet meaningful setup where I pour love and respect into everything I create for my clients.
What is "design" for you?
Design is the opportunity to elevate everyday environments, enabling people to experience atmospheres with a heightened sense of engagement and emotion. It represents the harmonious convergence of functionalism and beauty—where art seamlessly intertwines with science. Much like crafting a recipe, it requires the perfect blend of practicality and personal expression, balancing technical precision with creative intuition to enrich lives.
What kinds of works do you like designing most?
I design to meet people's needs, focusing on furniture that blends innovation with traditional techniques.
What is your most favorite design, could you please tell more about it?
My design crush is the LCW chair by Charles and Ray Eames. It’s beautiful, fun, well-constructed, and made of wood—the most democratic material for designers. The way the pieces support each other is essential, and it’s timeless.
What was the first thing you designed for a company?
My first design was a nightstand called Corça, made of tubular steel and freijó wood. It’s light and distinctly Brazilian.
What is your favorite material / platform / technology?
Wood—the most democratic material. It’s versatile, sustainable, and connects deeply with human touch and tradition. While I prioritize working with wood, I also leverage modern technologies like 3D modeling software, CNC machines, and digital fabrication tools to push creative boundaries and explore new dimensions of design.
When do you feel the most creative?
When I discover something that could be improved with adjustments, inspiration often strikes during showers, meals, or moments of mental freedom. But I know, that’s cliché—sorry!
Which aspects of a design do you focus more during designing?
I ask myself: Is it functional? Is it unique? Is it possible? Will it be affordable? Is it going to last?
What kind of emotions do you feel when you design?
A mix of love, frustration (when things don’t work), happiness after a discovery, and peace when I see my designs improve someone’s life. It’s a journey of emotions, starting with, “This would be awesome to have in my home.”
What kind of emotions do you feel when your designs are realized?
Excitement, euphoria, and happiness all at once, along with a sense of accomplishment.
What makes a design successful?
A design is successful when it builds a meaningful relationship with its users.
When judging a design as good or bad, which aspects do you consider first?
Originality, respect for traditions, material usage, and affordability. A design is not good if people can’t afford it.
From your point of view, what are the responsibilities of a designer for society and environment?
Designers must translate societal needs into functional spaces or objects—even needs society doesn’t realize it has yet. Beyond that, designers hold the power to shape sustainable futures by focusing on material longevity, production methods that minimize waste, and designs that reflect cultural respect and inclusivity. They must ensure that their work enriches lives while leaving a minimal ecological footprint.
How do you think the "design field" is evolving? What is the future of design?
Design is evolving to improve relationships and create more functional lifestyles. The future of design lies in prioritizing realistic and sustainable material usage cycles.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
My work has been featured in two exhibitions: the Abimóvel event in Brazil and the Utopia exhibition in New York. These experiences were incredibly enriching, as they allowed me to share the narrative behind the Pudu Pet House with diverse audiences. I look forward to future exhibitions that celebrate both individuality and collaboration, showcasing how my designs can resonate with both global and local audiences. A place where I can inspire others to make a difference, showing that a Latino gay man can create impactful designs!
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
My inspiration comes from nature, Brazil’s unique landscapes, local materials, and traditions. I also stay informed and inspired by diving into newsletters, books, mood boards, and even public spaces. Often, unexpected places like church ceremonies or simple interactions spark new ideas, keeping my creative process dynamic and ever-evolving.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
I call my style "Brasilidade": a celebration of Brazilian traditions, materials, and manufacturing processes. It’s characterized by a harmonious blend of modern innovation and deep respect for cultural heritage, reviving Brazil’s cultural pride in every creation.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I live in São Miguel Arcanjo, São Paulo. Brazilian culture, with its vibrant diversity and deep-rooted traditions, provides endless inspiration for my work. It’s a double-edged sword, though—the richness of local resources and heritage fuels my creativity, but the high production costs and logistical challenges can sometimes be restrictive. Nevertheless, these challenges push me to innovate and adapt, reinforcing my connection to the culture I strive to represent.
How do you work with companies?
Currently, I have a curatorship office doing this bridge between me and the furniture industry. I have to say a big thanks to Victor Leite and all people on Mollde design office.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
Listen to designers and avoid defensive postures. Respect their process, don’t waste really valuable resources, and trust their expertise.
Can you talk a little about your design process?
I start with simple mood board references, then identify a motive for the design. From there, I create drawings, cardboard models, and conceptual art, explore various forms and structures, refine details, and produce technical drawings. It’s a straightforward yet iterative process—the usual. I’m not trying to reinvent any methods; I listen to people who have been in this job longer than I have.
What are 5 of your favorite design items at home?
My armchair where I spend part of my day reading, sketching, and checking other designers' work. My bed—a good night’s sleep is always a priority. My old 3D printer, which doubles as a stand for my fan during summer. My office table, of course. The nightstand I designed, with a soft top to avoid injuries when turning off my alarm.
Can you describe a day in your life?
Wake up > Running routine > Read a design book > Check the news > Drawing session > Meetings > Create new drawings > Consult other professionals involved in projects > Attend restoration classes > Reflect on "what I learned today" in my diary.
From your perspective, what would you say are some positives and negatives of being a designer?
The positives include the power to create, being part of people’s lives, the ability to work while listening to music, and the opportunity to improve relationships. On the downside, there are challenges like high production costs, the complexity of detailing intricate designs—especially highly organic shapes—and, perhaps the most difficult, dealing with egos within the industry.
What is your "golden rule" in design?
If it’s not useful for one, it’s not useful for anyone. I strive to design pieces that are inclusive and accessible. Leaving any part of society feeling excluded by my work is something I take very seriously and work hard to avoid.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
Paper, pencil, crayons, mouse, 3Ds Max, SketchUp, Illustrator, Rhino, Solidworks. cardboard, wire, glue, wood, a manual saw, more glue, glasses, an iPad, headphones, and lots of good brazilian coffee.
How long does it take to design an object from beginning to end?
If it depends solely on me, about two months. If machinery or others are involved, it can take longer.
What is the most frequently asked question to you, as a designer?
“What is the most frequently asked question to you, as a designer?” (Yes, that’s the real answer. And Im really sorry!)
What was your most important job experience?
During the summer of 2015, I spent two months at USC’s architecture office working with Gail Borden. That experience taught me invaluable lessons and became the foundation for everything I’ve built since then.
What type of design work do you enjoy the most and why?
I love designing with purpose and tailoring designs to individual needs and routines. This approach ensures both uniqueness and functionality. While mass production is a reality in my daily work, it doesn’t mean I can’t address specific needs. Every experience in life is collective, and I aim to reflect that philosophy in my designs.
What are your future plans? What is next for you?
I’m preparing to become a professor and teach the next generation of designers. Additionally, I’m working on a unique furniture line inspired by Brazilian folklore.
Do you work as a team, or do you develop your designs yourself?
I consult impressive advisors, but my designs start with me, a pencil, and my notebook.
Do you have any works-in-progress being designed that you would like to talk about?
I’m working on designs featuring organic shapes in a sophisticated way while keeping concepts simple. However, details are under wraps for now.
How can people contact you?
By my Instagram! It's 2025, people! @henke.gabriel By the way.
Any other things you would like to cover that have not been covered in these questions?
Democratic design is vital. If we don’t prioritize accessibility, we’ll end up designing only for museums.

Designer of the Day Interview with Gabriel Antunes Henke Carrano

Could you please tell us about your experience as a designer, artist, architect or creator?
I began my journey as an architecture student, but during my studies, I discovered my passion for furniture design. This marked the start of my career in furniture design five years ago. Since then, I have collaborated with Brazilian companies such as Proa and Karams. Additionally, I’ve developed a strong interest in education and am currently preparing to become a professor.
How did you become a designer?
My path to design was shaped during my college years by a series of factors. Initially, I couldn't afford furniture for my dorm, so I repurposed moving boxes to build a wardrobe. This made me appreciate the significance of design in everyday life. In class, I was inspired by iconic designers like Eames, Saarinen, Rodrigues, Niemeyer and Gray, who taught me that furniture can enhance how people experience spaces. Later, during an internship in Chicago, I created a piece of furniture with no prior workshop experience. My improvised techniques impressed my professor, who encouraged me by saying, "You’re really good at this." That moment gave me the confidence to pursue this path.
What are your priorities, technique and style when designing?
My primary goal is to design furniture that fosters presence and connection. For example, a comfortable chair to enjoy conversations or a stylish sideboard to hold a stereo for impromptu dancing. I draw inspiration from simple shapes and continuous lines, which align with the industrial style. My process balances functionality and aesthetics to create pieces that seamlessly integrate into the user’s life.
Which emotions do you feel when designing?
Designing fills me with excitement at the beginning, followed by anxiety as I work through challenges. As designers, it’s natural to worry about whether our ideas will translate well into reality. But this uncertainty is what drives us to improve. After navigating trial and error, the ultimate emotion is happiness—a sense of accomplishment in seeing the final product come to life.
What particular aspects of your background shaped you as a designer?
During architecture school, my professors often noted that my projects were highly formal but lacked functionality. This critique pushed me toward furniture design, where I could balance both form and function. This shift allowed me to focus on the artistic aspects while maintaining practicality.
What is your growth path? What are your future plans? What is your dream design project?
My next step is to collaborate with other designers to merge ideas into exceptional designs. While creating an atelier for my work is a distant goal, my immediate focus is on designing and collaborating. In the long term, I envision myself as a professor specializing in the history of furniture design.
What are your advices to designers who are at the beginning of their career?
Always read your contracts carefully. Trust the process and document every idea you share. Be open to changing your designs during development and stay loyal to those who support you. However, don’t hesitate to set boundaries when needed.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
If I could influence my peers, I would emphasize the importance of designing for the future: using sustainable materials, honing technical skills, and mentoring young professionals who seek guidance.
What is your day to day look like?
I start my day with physical exercise to energize my body, followed by reading or gaming to engage my mind. My mornings are dedicated to sketching initial concepts by hand, while afternoons focus on technical design work. I end my day with podcasts and books about design to stay inspired.
How do you keep up with latest design trends? To what extent do design trends matter?
I subscribe to numerous newsletters and frequently discuss market trends with friends. Trends provide direction, but they should not overshadow creativity. I trust that my designs naturally reflect the influences of what I read and observe.
How do you know if a product or project is well designed? How do you define good design?
Good design finds the balance between functionality and aesthetics, satisfying the designer, collaborators, and users. A well-designed product is one that cannot be meaningfully improved—or one that embraces its limitations gracefully.
How do you decide if your design is ready?
For me, a design is complete when I can successfully create a 3D model where all parts fit seamlessly, both functionally and aesthetically. If the design achieves these goals without compromise, it’s ready.
What is your biggest design work?
I’m particularly proud of Pudu, a piece that has gained national and international recognition. It has performed well in competitions and garnered significant public and press attention.
Who is your favourite designer?
My preferences evolve, but currently, I deeply admire Lina Bo Bardi. Her work captured the essence of Brazilian society during her time, producing remarkable furniture and architectural masterpieces.
Would you tell us a bit about your lifestyle and culture?
I live a balanced life, enjoying the duality of exploring new places for inspiration while cherishing time with family and friends. My Brazilian heritage is reflected in the music I listen to, the food I eat, and the practical, joyful way I solve problems.
Would you tell us more about your work culture and business philosophy?
I typically begin my projects alone, with just a pencil and paper, as I believe the initial concept must come from a deeply personal and creative space. Once I have a clear idea, I delve into research to determine how to bring the design to life. Collaboration often comes into play at this stage, where I share my sketches and concepts with trusted partners to refine and expand on the original vision. This collaboration transforms good ideas into great designs.
What are your philanthropic contributions to society as a designer, artist and architect?
I recently developed a bench made from recycled plastic that doubles as a shelter for homeless individuals. This project not only provides practical solutions but also involves the community in recycling efforts.
What positive experiences you had when you attend the A’ Design Award?
Participating in the A’ Design Award taught me the importance of articulating my design choices clearly. The process helped me better understand and refine my design approach, which has been invaluable for my growth

Extended Interview with Gabriel Antunes Henke Carrano

Could you please tell us about your experience as a designer, artist, architect or creator?
I am an architect and urban planner, graduated from Universidade Estadual de Londrina, Brazil. I also spent a year studying furniture design at the Illinois Institute of Technology.
How did you become a designer?
I live to make people's lives easier—that's my main concern. I believe this is why I became a designer.
Which emotions do you feel when designing?
I design various types of furniture, but I wish I could design more pieces for retail stores.
What is your growth path? What are your future plans? What is your dream design project?
A great designer creates from personal experiences, ensuring they deeply understand their ideas.
What are your advices to designers who are at the beginning of their career?
Originality, high-quality finishes, durability, ease of assembly, and ease of cleaning—all these elements elevate a design.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
"Invest" might not be the right word. People should first experience good design to appreciate it. The real value lies in its accessibility, making it available to as many people as possible.
How do you decide if your design is ready?
Charles and Ray Eames, the Bouroullec Brothers, Campana Brothers, Lina Bo Bardi, Sergio Rodrigues, Pepe Lima, Etel Carmona, Paulo Mendes da Rocha, and Shiro Kuramata.
What is your biggest design work?
Steelwood Chair by the Bouroullec Brothers: Respect for materials. Mole Armchair by Sergio Rodrigues: All the Brazilianness in one piece. LCW Chair by the Eames: My first love. Bowl Chair by Lina Bo Bardi: Amazing lines and concept.
Who is your favourite designer?
My greatest design is always my most recent one! I’m too young to claim a definitive masterpiece.

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