Citic Fengyue Tower Office

About Citic Fengyue Tower Office

Citic Fengyue Tower is an office interior located in Dalian, a coastal city in China, covering 6500 square meters. The design draws on science, technology, art, nature and the sea, and the main image is taken from wave forms. The ceiling and floor use flowing lines and block surfaces to convey movement and openness. A reception desk shaped after a warship recalls the local port and is made of ice white marble and golden stainless steel. White gray tones are combined with technical blue. Sculptures placed indoors and outdoors guide movement and encourage interaction.

Positioned within the lineage of contemporary parametric and biomorphic interior architecture, this work by Ye Feng represents a sophisticated meditation on the dialogue between natural landscape formations and the constructed environment, suggesting an approach to commercial interior design that elevates functional space into experiential sculpture. The compositional strategy demonstrates remarkable formal intelligence through the orchestration of undulating masses that evoke geological stratification while maintaining a refined material vocabulary of smooth, luminous surfaces that seem to glow from within. Technical achievement manifests particularly in the seamless integration of architectural lighting, where warm amber LED strips trace each horizontal contour with precision that transforms structural articulation into graphic gesture, creating a visual rhythm that guides the eye through ascending and descending passages. The chromatic restraint of the predominantly ivory and cream palette allows subtle material variations and light temperature shifts to emerge as primary compositional elements, demonstrating sophisticated understanding of how neutral environments amplify perceptual sensitivity to nuanced tonal relationships. Thematic content appears to explore the intersection of the organic and the architectural, perhaps referencing traditional landscape painting traditions where mountain forms symbolize permanence, aspiration, and the sublime, here reinterpreted through contemporary material means and spatial technologies. The work seems to propose that commercial threshold spaces need not merely facilitate transition but can offer moments of aesthetic contemplation that prepare visitors psychologically for engagement with the environments beyond. One might observe how the interplay between the flowing ceiling forms and the rising sculptural volumes creates a sense of spatial embrace, positioning occupants within a protective yet expansive architectural landscape. Viewers are invited to consider how such environments might reshape expectations for everyday spatial experience, and what possibilities emerge when functional requirements become occasions for artistic expression.