Himanshu Shekhar Soni

I was originally on the career path to become an engineer. I loved drawing, sketching, and creating junk sculptures since childhood, always enjoying being creative. The stereotype of the starving artist was the only idea I had of a future in art—and I definitely didn’t want that. I had never heard of industrial design until just after graduating in engineering. In college, I excelled in mechanical engineering, but one interaction with a senior colleague changed my perspective. I looked at him and thought, ‘I will never be that excited about engineering.’ From that moment on, I could only imagine a monotonous future with an adding machine stuck to my fingertips. I began researching industrial design to make sure it wasn't a dying field—haha! I visited design schools, met designers, and quickly fell in love with the idea that a creative person could make a living doing what they love.

My design studio is a space where creativity meets innovation. We specialize in industrial design, focusing on creating products that are not only aesthetically pleasing but also functional and user-centric. The studio is built around collaboration, bringing together a team of passionate designers, engineers, and thinkers who are dedicated to solving problems through design. Our work spans a variety of industries, including consumer electronics, home appliances and sustainable products. We take pride in developing solutions that are innovative, sustainable, and emotionally engaging. We believe that design should enhance everyday life and create meaningful experiences for users. In our studio, we emphasize a hands-on approach to design, starting with initial concepts and sketches, then moving through prototypes and user testing, ensuring that each product is optimized for its intended purpose. We also stay up-to-date with the latest technologies and design trends, ensuring that our work remains fresh and forward-thinking. Our studio is not just about creating products it’s about fostering an environment that encourages creativity, growth, and collaboration. We continuously strive to push boundaries and explore new ways of solving design challenges, with the goal of making a positive impact on the world through thoughtful, sustainable design.

Working with beautiful materials, paying attention to detail, considering the user experience, and showcasing craftsmanship are what fuel my designs. It’s the combination of these qualities that sparks emotion. I want someone to pick up a product and appreciate it for the feel of the material, its structure, composition, and the thought behind every detail. I want my designs to have personality and speak for themselves."

All kinds of works from the different product category, from the smallest products to the biggest spaces. I love challenges

find Stefano Giovannoni's Magic Bunny, Cico Egg Cup, and Philippe Starck's Juicy Salif particularly captivating. I admire how their expressive designs skillfully play with symbols and metaphors, tapping into the subconscious. These objects transcend their functional purposes, offering a narrative quality that is both intriguing and thought-provoking. The way they merge art, design, and storytelling creates a deeper emotional connection with the user, making them not only visually striking but also conceptually rich.

I have designed first time a door styling for a single door Refrigerator.

My favorite material is wood, particularly in its natural form, as it combines warmth, versatility, and sustainability. I love working with wood because it has an organic quality that allows for both elegance and functionality in design. It also ages beautifully, adding character over time. As for platforms, I’m drawn to CAD software for product design and 3D modeling tools. They allow me to visualize ideas in detail and make precise adjustments before creating physical prototypes. I also enjoy using physical prototyping methods, where I can translate digital concepts into real-world, tactile products. In terms of technology, I am particularly excited about the integration of smart technologies into everyday products, especially in home appliances and consumer electronics. The intersection of design and technology has endless possibilities, from enhancing user experience to creating sustainable, energy-efficient solutions. These materials, platforms, and technologies inspire me to create designs that are not only aesthetically pleasing but also highly functional and forward-thinking.

I feel most creative when I identified any problem to solve it or have a great inspiration.

Working with beautiful materials, attention to details, user aspect and showcasing a craft. I want that my designs will tell a story and to give the experience the user.

successful design its like delicious food that cooked with the proper proportion of essential ingredients, This is an analogy. Its same successful design condenses a system of details into just the right thing for a particular situation be it an intuitive use, user aspects, an awe-inspiring form, a memorable experience, color combination, a flexible solution, etc. and out of all most essential ingredient to consider contextual design aspects in product design.

the product design stage is critical from the point of view of public responsibility. Design decisions impact production processes and often the content of the industrial waste. Effective design strategies should anticipate growing environmental concerns and responsibilities, sustainable design to eliminate or minimize the negative environmental impact.

The design field is constantly advancing and evolving. Designers are now expected to know far more than they once did. Two emerging trends are set to shape the design field in the coming years. First, the societal and environmental changes our planet is experiencing will require new design solutions that are cost-effective, localized, and user-centric. Second, within the technology sector, the industry-wide shift to cloud, social, and mobile services is democratizing access and lowering barriers to entry. The good news is that these two seemingly intractable challenges, combined with new and innovative solutions that can come from anywhere, are converging creating the perfect opportunity for designers to apply their expertise to impactful solutions for a better future.

My last exhibition was at India Design ID in New Delhi last year, where I showcased innovative consumer products and sustainable designs. For my next exhibition, I aim to hold it within the next year, possibly at a global platform like Design Miami, where I can present emotion-driven and sustainable design solutions to a wider audience.

Nature is my main inspirations combine with a sense of intuition.Although the source of my creativity is fueled by many things such as nature, travel, personal transformation, textiles and all things colorful, I find my deepest well of inspiration simply in the process of creating something out of nothing.

I do not have a fixed design style, the style is mainly dependent on the specific product categories or brand language, but some interesting ideas, simple design, minimalistic form, attention to details and design of the ornamental, these are I try to pursue.

I live in New Delhi, India; A beautiful country with so much history and diverse culture with Unity in diversity. The cultural heritage of my country affects my work in many ways that make it unique. It gives my work a voice true to my background and experiences here as well as my experiences abroad. my country's old heritage and culture have inspired many lines in my work! There are no pros and cons in being in this country or that, there are just new perspectives, and that is always a healthy thing in the design world.

I try to have deep cooperation and get involved in different stages of bringing ideas to life. A bridging role between aspects particularly related to the ideation and creation of a product for example prototyping and testing, Manufacturing and subsequent product development stages, for example marketing, and product launch.

When working with a designer, companies should focus on clear communication and mutual respect. It's important to provide a well-defined brief that outlines the project goals, expectations, and any constraints, but also to allow room for creativity and innovation. A collaborative approach ensures that both the company’s vision and the designer’s expertise are aligned. To select a good designer, companies should look for these key traits: 1. Portfolio and Experience: Review the designer’s portfolio to ensure their style, experience, and capabilities align with your needs. The portfolio should demonstrate a range of work, with examples relevant to your industry. 2. Problem-Solving Ability: A good designer doesn’t just focus on aesthetics—they solve problems. Look for someone who can understand the challenges your company faces and develop functional, user-centric solutions. 3. Communication and Collaboration: The best designers are excellent communicators, able to present their ideas clearly and work well with other teams (like engineering, marketing, etc.). Collaboration is key to integrating design into the broader business goals. 4. Passion for the Project: A designer who is genuinely excited about your project will deliver better, more thoughtful designs. It’s important to find someone who shares your company’s values and vision. 5. Flexibility and Adaptability: The design process often involves feedback and iterations. A good designer must be open to revisions, able to adapt to new ideas, and work under evolving requirements. By considering these factors, companies can find a designer who will not only meet their needs but also contribute to the long-term success of the project.

For the design process, I start with research and images and then I work on sketches, the overall design then after the use of software to achieve the final results.

Chair, Toys, Puzzles, Pens, Kitchen accessories , Electronic Gadgets

My day starts with planning and prioritizing—reviewing emails, to-do lists, and catching up on design news to stay inspired. I then focus on creative work, like sketching and refining concepts, while balancing client meetings and project management tasks. Throughout the day, I take small breaks for inspiration, whether it's stepping outside or browsing design books. The little wins, like solving design problems or receiving positive client feedback, keep me motivated and excited. I embrace both the routine and the surprises each day brings, finding joy in the creative process.

Get an experience, understand how the design and technical development process take place to take it from raw sketch to prototype to production and Listen to themselves and believe they capable of anything .work harder than anyone to gain the skills and always continue to raise the bar in what they do.

The positive aspects include satisfaction from work, creativity, idea transform to reality with the power of thought. Designers get the honor of designing a collection of numerous designs for different clients. Designers often feel that the most wholesome part of the career is knowing the people and being able to make something precise for them.The negative aspects also concern clients. Unfortunately, not all clients realize the importance of design. Some would be easy going and giving complete freedom to the project, however, the disadvantage of the designer is facing the tough clients who are rarely satisfied with the idea, plans or budgets.Creating a design is a partnership, where the designer and the client have to work together. However, in the real world, it’s not always so.

My "golden rule" in design is: "Design with empathy, keeping the user at the heart of every decision." This means understanding the needs, emotions, and context of the people who will interact with the product or service. A successful design is one that not only looks good but also solves real problems, enhances the user experience, and creates a meaningful connection between the product and its user.

I believe that the skills that are most important for a designer are imagination and sense of detail, quality dialogue & perception, sense of material and ability to synthesize.

My design toolbox is a mix of software, hardware, and resources that help bring my ideas to life, ensuring both functionality and creativity in every project. Here’s a look at what's inside: Software and Applications: Creo and SolidWorks for precise 2D and 3D modeling, especially for product design and mechanical parts. Rhino 3D modeling and prototyping. Adobe Creative Suite (Photoshop, Illustrator, corel draw) for visual design, branding, and presentations. SketchUp and Blender for quick conceptualizations and visualizations. KeyShot for rendering and visualization of designs in realistic environments. Hardware: 3D printers for rapid prototyping and testing designs. Laser cutters for precision material cutting, ideal for creating models and mock-ups. Tablets and styluses for sketching directly onto digital platforms. CNC machines for accurate material fabrication. Books & Resources: "The Design of Everyday Things" by Don Norman for user-centered design principles. "Sketching: Drawing Techniques for Product Designers" by Koos Eissen for sketching and visualization techniques. "The Elements of User Experience" by Jesse James Garrett for understanding user interaction with products. Design magazines like “Core77”, “Dezeen”, and “Designboom” for keeping up with trends. Sources of Inspiration: Nature: Organic shapes and patterns often inspire my design approach. Art: Fine arts, sculptures, and historical designs offer unique perspectives. Travel: Visiting different cultures and observing daily life opens new creative ideas for practical design. User Feedback: I often rely on user feedback and insights from research to guide the design process. This combination of tools allows me to translate creativity into functional, user-centric designs with the flexibility to adapt to any project needs.

To manage my time effectively as a designer, I: Prioritize tasks by breaking down projects into smaller steps and focusing on deadlines and dependencies. Set realistic deadlines with clear milestones to stay on track and allow for adjustments. Use time blocking to dedicate specific hours for tasks like sketching, meetings, and research. Leverage tools like Trello and Asana to stay organized and manage tasks. Avoid perfectionism early on, focusing on getting ideas down quickly before refining them. Take regular breaks to stay refreshed and maintain creativity. By staying organized and balanced, I ensure my design process is efficient and productive.

The length of time for designing an object from beginning to end depends on the project itself.

the most frequent question as a designer is "from where do you get inspiration ?"

My most important job experience was working on the design of a single-door refrigerator for the Indian market at Dixon Technologies. This project was particularly challenging due to the space constraints, the need for localized design solutions, and creating storage for dry items in a refrigerator. I had to balance functionality, cost-effectiveness, and user-centric design, ensuring the product met local needs while maintaining high standards of innovation. The experience helped me sharpen my problem-solving skills, and I gained valuable insights into manufacturing processes, market needs, and consumer behavior. This project stands out not only for its technical and design challenges but also because it taught me how to adapt design solutions to specific cultural and environmental contexts a lesson that continues to influence my approach to design today.

Some of my notable clients include: Electrolux Parker Hindware Havells Kelvinator BPL Reliance Dixon Technologies Luxor Videocon These companies span industries like consumer electronics, consumer durables, sanitary ware, and appliances, providing me with diverse opportunities to work on a wide range of design challenges, from product development to innovation.

I particularly enjoy industrial design and innovation-focused projects, especially those that blend functionality with aesthetics to create meaningful user experiences. Working on consumer electronics, appliances, and user-centered product design excites me because these areas allow me to solve real-world problems while shaping products that enhance people's daily lives. What draws me to this type of work is the opportunity to create tangible solutions that are both practical and visually appealing. I enjoy the challenge of balancing form and function, especially when designing for local markets with unique cultural and environmental factors. Projects that allow me to innovate and push boundaries, while being deeply rooted in user needs and emotional design, are the ones I find most rewarding.

My future plans revolve around expanding my design portfolio with a focus on sustainable innovation and user-centric design solutions. I aim to work on projects that not only meet the needs of today’s market but also anticipate future trends, particularly in areas like smart products and sustainable consumer goods. Next, I’d like to explore collaborative design ventures with companies that prioritize sustainability, technology, and circular design. I’m particularly interested in projects that integrate emotional design and sensory experiences for example, creating products that engage users on a deeper emotional level, such as sensory-driven experiences that stimulate emotions through touch, feel, and scent. Ultimately, I aspire to mentor young designers and foster a creative environment where innovation and impactful design can thrive, helping shape the future of design in ways that contribute positively to society and the environment.

Most of the time, I work alone but working as a team in my company helps me to understand the power of ideas from other individuals, but working alone give you a clear sets of thoughts , freedom and direction without interruption, and with team members, you will have chance to evaluate the ideas and possibly adding better parts, improvised idea to it I do a piece of my work that can be collaborated with others' share of work.

Yes, I currently have a few exciting works-in-progress that I’m deeply engaged in: Sustainable Consumer Products: I am working on a project that focuses on creating eco-friendly, user-centric appliances. The goal is to integrate sustainable materials and energy-efficient technologies without compromising design aesthetics or functionality. This aligns with my interest in creating products that have both long-term environmental impact and practical utility. Smart Home Solutions: Another ongoing project involves the development of smart home products that improve user convenience while being energy-efficient. This includes integrating IoT (Internet of Things) to create seamless, intuitive devices for everyday living, blending technology, user experience, and sustainability. Emotion-Driven Products: I am also exploring designs that incorporate emotional design principles, aiming to create products that evoke specific emotional responses. This might involve designing products with sensory experiences—like combining texture, smell, and touch to establish a deeper connection with the user. These projects reflect my drive to work on designs that have impact, are innovative, and are centered around the future of sustainable design.

I have been working in the field of industrial design and innovation for over 17 years, specializing in consumer electronics, consumer durables, sanitary ware, stationery, packaging, and toys. Throughout my career, I have had the privilege of collaborating with leading companies such as Electrolux, Parker, Hindware, Havells, Kelvinator, BPL, Reliance, Dixon, and several others. These collaborations have given me the opportunity to design a diverse range of products, from home appliances and electronics to sanitary ware and toys, focusing on creating innovative, user-friendly, and functional designs. I hold a Master’s degree in Industrial Design from IIT Kanpur, India, which has provided me with a strong foundation in design principles and creative problem-solving. My education, coupled with practical experience, has enabled me to lead product development projects and contribute to building brands by creating products that are both aesthetically appealing and highly functional. Throughout my career, I’ve been able to refine my skills in product conceptualization, development, and innovation, ensuring that every design I work on not only meets consumer needs but also stands out in competitive markets.

Becoming a designer felt like a natural progression for me, as I've loved painting and beautiful things since childhood. When I started my engineering studies, I wanted to combine my artistic passion with my technical skills. This led me to explore Industrial Design, where creativity and engineering come together. After researching the field, I confidently chose design as my career path, excited by the opportunity to create innovative and aesthetically pleasing products.

When designing, my top priorities are functionality, aesthetics, and user experience. I ensure products are not only practical but also visually appealing and emotionally engaging. Emotion design is important to me, as I aim to create designs that resonate with users on a deeper level. The look and feel of the product is crucial to how users perceive and interact with it. I blend both digital tools like CAD software for precision and hands-on techniques such as mock-ups and physical models to fully understand the user experience. My design process starts with research and understanding the user’s needs, followed by ideation, prototyping, and refining concepts based on feedback. This approach helps me deliver designs that are innovative, functional, and emotionally connected to the user

When designing, I feel a mix of excitement, curiosity, and satisfaction. The most exciting phase is the initial idea, where I get to creatively solve problems and envision possibilities. As the design evolves, I enjoy the journey of refining and improving it. The greatest pleasure comes from seeing the finished product, knowing it meets both the user’s needs and my creative vision. Designing fulfills me by allowing me to express creativity while solving real-world problems. The joy comes from creating something beautiful and functional that has a meaningful impact on people’s lives.

My background in artistic nature and a strong aesthetic sense, combined with my education in mechanical engineering, has greatly shaped me as a designer. My artistic background fuels my creativity, while my engineering education provides me with problem-solving skills to approach design challenges from a practical, technical perspective. These combined skills allow me to create designs that are both visually appealing and functional. My journey has been about blending creativity with technical knowledge, which continues to guide and influence my work.

My growth path as a designer is focused on expanding my expertise in sustainable design, emerging technologies, and form styling with a strong emphasis on product aesthetics. I aim to be remembered as a designer who blends art and engineering to create innovative, functional, and emotionally resonant products. My dream project would be to design a sensory emotion product, similar to a perfume, that evokes a deep emotional connection through touch, feel, and smell. The design would focus on creating an immersive experience, with textures enhancing physical interaction and scents triggering specific moods or memories. This project would combine emotional design with sensory engagement, crafting a product that touches users in a personal and memorable way. In the future, I aim to take on larger, innovative projects that improve lives, promote sustainability, and integrate form styling to enhance product aesthetics, leaving a lasting, positive impact through thoughtful design.

Gain experience and understand how the design and technical development processes take a product from a raw sketch to a prototype, then to production. Listen to yourself and believe that you are capable of anything. Work harder than anyone to develop the necessary skills and always strive to raise the bar in everything you do.

fellow designers, artists, and architects, here are some key tips: Collaborate and Seek Feedback: Design is a team effort. Embrace feedback and fresh perspectives to refine your work. Focus on the User: Always design with empathy, keeping the end user’s needs and emotions in mind. Balance Creativity with Practicality: Push creative boundaries but ensure designs are functional and feasible. Refine Your Process: Continuously iterate and improve your designs; the first idea is rarely the best. Simplify: Avoid overcomplicating designs—focus on clarity and emotional impact. Stay Curious: Keep learning and adapting to new trends, tools, and technologies. Step Back: Occasionally distance yourself from a project to gain clarity and fresh insights. Take Risks: Experiment with new ideas and materials; risk often leads to innovation.

My day starts with planning and prioritizing—reviewing emails, to-do lists, and catching up on design news to stay inspired. I then focus on creative work, like sketching and refining concepts, while balancing client meetings and project management tasks. Throughout the day, I take small breaks for inspiration, whether it's stepping outside or browsing design books. The little wins, like solving design problems or receiving positive client feedback, keep me motivated and excited. I embrace both the routine and the surprises each day brings, finding joy in the creative process.

I believe it’s important to stay aware of design trends, but I also prioritize developing my own personal design style. Trends can be a great source of inspiration, but I prefer to create designs that are timeless and reflect my unique approach. I aim to blend innovation with functionality, creating products and experiences that resonate on a deeper level, rather than focusing solely on what's trendy. That said, I do keep up with the latest trends through various channels like design blogs, industry publications, and design events. I also draw inspiration from a variety of places—nature, art, technology, and user behavior—which inform and influence my work. While I respect trends, I prefer to focus on creating cohesive collections or product families that stand the test of time, reflecting my vision and understanding of the user experience.

Good design is a balance of functionality, aesthetics, and user experience. I look for how a design connects with the user through intuitive usability, emotional engagement, and thoughtful interaction. When evaluating a design, I consider: Functionality: Does it solve the problem? Usability: Is it easy to use? Aesthetics: Is it visually appealing? Sustainability: Is it environmentally responsible? A common mistake is overcomplicating a design. The best designs are simple, clear, and purposeful, creating a meaningful connection with users.

I know a design is ready when it meets its goals in functionality, usability, and aesthetics, and no further iterations significantly improve it. While design is never truly final, I stop when it effectively solves the problem and resonates with users. A design’s success is measured by user feedback and how well it performs in the real world. Even after completion, I stay open to future improvements but focus on new projects, revisiting past designs only when necessary.

Here’s the updated version of your response, including the additional points: Although I have worked on many design projects, each of them holds a unique significance, one of the most challenging and rewarding was designing a single-door refrigerator for the Indian market for Dixon ODM. This project stands out as one of my biggest design works due to its complexity and the cultural context it was designed for. The initial aspiration was to create a refrigerator that was both functional and aesthetically appealing for the Indian market, with specific considerations for energy efficiency, compactness, and affordability. The design also had to address local needs such as space constraints, where maximizing interior utility was essential. Creating innovative storage solutions like a dedicated section for dry storage was key to meeting the diverse requirements of Indian households. The design process involved extensive research into consumer behavior, local preferences, and market conditions. I worked closely with the engineering and production teams to ensure the design was not only visually pleasing but also manufacturable at scale. This project is special because of the challenges it presented. The key aspects that made it stand out were the user-centric approach, local adaptation, and the integration of innovative solutions for energy efficiency and storage. Balancing modern features with the traditional needs of Indian households, while optimizing for interior space, was crucial in delivering a product that aligned with both aesthetic and functional requirements. The most satisfying part of this project was overcoming challenges related to product cost, space optimization, and manufacturing constraints while maintaining the design’s integrity. The final product resonated with the target market and met the client’s expectations, making it one of my most rewarding projects. Currently, I’m working on a few exciting projects that involve sustainable design and smart home technologies, which I’m eager to explore further and push the boundaries of innovation.

I am always inspired by the work of Philippe Starck and Stefano Giovannoni.

My lifestyle combines artistic creativity with engineering practicality, deeply influenced by Indian culture. Growing up in India, I was inspired by its rich traditions, crafts, and art forms, which shaped my approach to design. Music and dance play a vital role in my creative process, helping me connect emotionally with my work. Indian culture impacts my designs, inspiring me to blend traditional aesthetics, patterns, and symbolism with modern functionality. I draw from Indian architecture and handcrafts to create products that resonate with local values and needs. One city that inspires me is Varanasi, where tradition and modernity coexist. Currently, I’m working on sustainable design projects, believing good design is crucial for societal advancement. It can solve real-world problems, particularly in India, by improving accessibility and sustainability. In my life, design has introduced small changes, like sustainable practices and ergonomic design, reflecting India’s values of resourcefulness and balance. These incremental improvements positively impact my well-being and align with my cultural roots.

My work culture is centered on collaboration, creativity, and integrity. I work both independently and with partners, valuing diverse expertise. When selecting business partners, I prioritize shared vision, commitment to quality, and an understanding of user experience. In employees or collaborators, I look for passion, curiosity, and the ability to think critically and work well with others. My corporate culture emphasizes innovation, quality, and a balance of creative freedom with structured problem-solving. Challenges in my profession include balancing creativity with practicality, meeting client expectations, and managing technical constraints. A good designer must have attention to detail, empathy, adaptability, and a strong work ethic. They should push boundaries while being solution-oriented and user-focused.

As a designer, I give back to the community by engaging in pro bono design work for non-profits and community projects, focusing on sustainability and education. I believe designers, artists, and architects should contribute to humanitarian causes, as design has the power to solve social issues and improve lives. I actively support young designers by attending design events and conferences, offering guidance and mentorship. I also provide opportunities through internships and workshops, fostering learning and growth within the design community. For me, good design is about creating purposeful solutions that positively impact society.

Attending the A’ Design Award was a positive experience, offering global exposure and valuable networking opportunities with talented designers and industry leaders. Participating in design competitions provides key benefits like Recognition, Networking with industry professionals. Skill development and creative growth. Design competitions are important as they inspire innovation, showcase trends, and push designers to evolve. Being Designer of the Day was an honor, reaffirming my commitment to excellence and continuous improvement.

I pursued a Master's in Design at IIT Kanpur, India, driven by my love and passion for design. Although I was initially on the path to become a Mechanical Engineer, one pivotal interaction with a senior colleague changed my course. I looked at him and thought to myself, 'I will never be as excited about engineering as he is.' From that moment on, all I could envision was a monotonous, gray future with an adding machine permanently attached to my fingertips. This realization led me to explore Industrial Design, where I discovered my true aspiration to become a designer.

As designers, we often identify ourselves with our work. It’s not just a job; it’s who we are. This deep connection fuels an endless source of passion. When we know that our work can solve a significant problem, we become unstoppable. A precise understanding of the issue allows us to stay laser-focused, and this focus becomes the driving force behind our ultimate design motivation.

It was a natural progression for me to become a designer. I have loved painting and beautiful things since I was a child. When I started my engineering studies, I wanted to combine my artistic talents with my engineering skills. This led me to research Industrial Design, and without hesitation, I chose design as my path.

As an industrial designer, I focus on creating products that are not only functional but also enhance the user experience through thoughtful form and intuitive design. I’m particularly interested in designing products that address real-world problems, improve everyday life, and are environmentally sustainable. I wish to design more products that are user-centered, with a focus on ergonomic, sustainable, and innovative solutions. Whether it's consumer electronics, home appliances, or tools, I aim to create designs that blend aesthetic appeal with practical functionality, always keeping the user’s needs and the environment in mind.

Gain experience and understand how the design and technical development processes take a product from a raw sketch to a prototype, then to production. Listen to yourself and believe that you are capable of anything. Work harder than anyone to develop the necessary skills and always strive to raise the bar in everything you do.

I believe great designers don't simply think about consumers—they think about people, their desires, aspirations, and challenges. They envision how these will evolve in the short, medium, and long term, staying connected with emerging trends and leveraging forecasting intelligence. Unlike those who merely speculate, great designers use these insights to actively shape the future, bending it toward their vision.

Good design, or truly great design, is like a delicious dish cooked with the right balance of essential ingredients, adjusting both qualitative and quantitative variables to achieve the perfect outcome. Similarly, in design, it's about choosing the right solution for a particular situation—whether it's intuitive usability, user needs, awe-inspiring form, memorable experience, color harmony, or a flexible solution. Above all, the most essential ingredient is considering the contextual aspects in product design.

The value of good design goes beyond just aesthetics; it creates meaningful experiences that improve functionality, solve problems, and make life easier. Good design enhances usability, builds emotional connections with users, and fosters brand loyalty. It is an investment that can increase efficiency, reduce costs in the long term, and ensure products or services stand out in a competitive market. Whether in business, technology, or consumer products, good design is essential for driving innovation, attracting customers, and improving overall quality of life. Investing in good design ultimately leads to a stronger brand, higher customer satisfaction, and long-term success

If I had the time, I would focus on designing products that address real-world challenges and improve the quality of life for underserved communities. Specifically, I would design affordable, sustainable solutions in areas like healthcare, education, and accessibility. For example, I would create medical devices or assistive technologies that are both affordable and easy to use for people in remote or low-income areas. Additionally, I would design tools to improve access to education, especially in rural areas, where resources are limited. The goal would be to create designs that not only serve functional needs but also empower individuals, making a positive impact on their lives and communities.

My dream project would be to design a product like a perfume that evokes a deep emotional connection through sensory experiences—touch, feel, and smell. I envision creating a fragrance line with a unique packaging design that invites users to interact with the product on multiple levels, from the tactile feel of the bottle to the scent that stimulates emotions and memories. The design would focus on crafting an immersive experience, with textures that enhance the physical interaction and scents that trigger specific moods or memories. This project would combine the power of emotional design with sensory engagement, creating a product that not only smells beautiful but also touches the user in a personal and memorable way.

Working with beautiful materials, paying meticulous attention to detail, focusing on the user experience, and showcasing the craftsmanship are the key ingredients of my designs. It is the thoughtful combination of all these elements that sparks a deep emotional connection with the user. Each material is carefully selected to enhance the sensory experience, every detail is designed to create a sense of harmony, and the craftsmanship reflects the care and precision behind each product. When these aspects come together, they not only functionally and aesthetically pleasing designs, but also evoke emotions that resonate with the user, making the design feel personal and memorable.

I am always inspired by the work of Philippe Starck and Stefano Giovannoni.

I find Stefano Giovannoni's Magic Bunny, Cico Egg Cup, and Philippe Starck's Juicy Salif particularly captivating. I admire how their expressive designs skillfully play with symbols and metaphors, tapping into the subconscious. These objects transcend their functional purposes, offering a narrative quality that is both intriguing and thought-provoking. The way they merge art, design, and storytelling creates a deeper emotional connection with the user, making them not only visually striking but also conceptually rich.

Although I have not yet designed it, my greatest design would be one that seamlessly blends functionality, aesthetic appeal, and emotional connection. It would be a product that not only solves a practical problem but also creates an experience that resonates with the user on a deeper level. The aspects that would make it great are its ability to engage multiple senses, its intuitive usability, and its lasting impact on the user's daily life. I would also focus on sustainability, ensuring that the design is both environmentally responsible and long-lasting. Ultimately, its greatness would lie in how it enhances the user experience, bringing both beauty and utility in a way that feels natural and meaningful.

Always be willing to learn, explore new things, and embrace new challenges. Stay curious and approach situations and problems with an open, childlike mind, unconfined by rigidity or preconceived notions.

If I hadn't become a designer, I likely would have pursued a career in engineering or the arts, as both fields deeply interest me. In engineering, I would have enjoyed solving complex problems and creating functional, innovative solutions. On the other hand, as an artist, I would have focused on expressing emotions and stories through visual forms. Ultimately, both paths share a common thread of creativity, problem-solving, and a desire to make a meaningful impact, whether through practical inventions or artistic expression.

Design is an intentional and ongoing process of identifying opportunities for innovation and evaluation. For me, it’s all about problem-solving within the context of the user’s needs and environment. It’s not just about creating aesthetically pleasing products but understanding the deeper challenges the user faces and finding solutions that enhance their experience. This process involves continuous iteration, testing, and refinement to ensure that the final design is not only functional but also meaningful and relevant to the people it serves.

Although I haven't reached that level yet, I’ve been fortunate to have several key supporters along the way. My biggest supporter has been my mentor, who guided me with invaluable advice and pushed me to explore new ideas. Additionally, my peers and colleagues have been a constant source of inspiration and encouragement, helping me to grow and stay motivated. I’ve also received tremendous support from my family, whose belief in my abilities has fueled my determination to pursue design. While I still have a long way to go, their guidance, encouragement, and constructive feedback have been crucial in my development as a designer.